{"id":1584,"date":"2015-09-01T06:00:11","date_gmt":"2015-09-01T06:00:11","guid":{"rendered":"http:\/\/www.harpblog.info\/?p=1584"},"modified":"2017-07-06T14:48:29","modified_gmt":"2017-07-06T14:48:29","slug":"portrait-of-veronika-lemishenko","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/","title":{"rendered":"Portrait of Veronika Lemishenko"},"content":{"rendered":"<p>Ekaterinburg is Russia&#8217;s fourth biggest city, and home to one of Russia&#8217;s leading orchestras, the <a href=\"http:\/\/filarmonia.e-burg.ru\/sgaf_eng\/\" target=\"_blank\" rel=\"noopener\">Ural Philharmonic<\/a>. Camac senior technician Enric De Anciola remembers Ekaterinburg chiefly as the place where <a href=\"http:\/\/harpist.typepad.com\/harpblog\/2014\/10\/je-vous-pr\u00e9senteenric-de-anciola.html\" target=\"_blank\" rel=\"noopener\">all\u00a0his tuners broke down<\/a> in front of the orchestral harps, but that is another story.<\/p>\n<p>Founded in 1936 by\u00a0Mark Paverman, the orchestra is one of Russia&#8217;s oldest orchestras. For the last seventeen years, the orchestra&#8217;s chief conductor has been\u00a0the charismatic\u00a0<a href=\"http:\/\/www.sgaf.ru\/sgaf_eng\/Dmitry-Liss.php\" target=\"_blank\" rel=\"noopener\">Dmitry Liss<\/a>, who has greatly raised the international profile of the orchestra with his dynamic and creative programming. As well as touring around the world, he has also set his orchestra in the heart of his community, with outreach work comprising everything from concerts in schools and hospitals, to a <a href=\"http:\/\/www.sgaf.ru\/fest\/petya-i-volk\/Peter-and-the-Wolf2012.php\" target=\"_blank\" rel=\"noopener\">composition competition &#8211; &#8216;Peter and the Wolf&#8217; for symphonic music aimed at children<\/a>. 2006 saw the birth of the <a href=\"http:\/\/www.sgaf.ru\/umso\/uyso.php\" target=\"_blank\" rel=\"noopener\">Ural Youth Symphonic Orchestra<\/a>, a high-level youth ensemble whose musicians frequently work alongside their professional colleagues in the Ural Phil.<\/p>\n<p><a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-1598\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-300x300.jpg\" alt=\"Veronika Lemishenko\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-300x300.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-800x800.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-150x150.jpg 150w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-768x768.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-55x55.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n-250x250.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The Ural Philharmonic is particularly\u00a0fortunate in its Principal Harpist, Veronika Lemishenko. Born in Kharkov, Ukraine, she began her harp studies with Larisa Klevtsova, before continuing with Milda Agazarian at the Gnessin Russian Music Acadmey in Moscow. Prizes at the Arpista Ludovico, Cit\u00e9 des Arts, Ksenia Erdeli and Wales International harp competitions are among her international awards. She was a &#8220;<a href=\"http:\/\/www.harpmasters.com\" target=\"_blank\" rel=\"noopener\">HarpMasters Young Celebrity Master<\/a>&#8221; in 2009; performed the opening recital at the first international harp competition in Kiev; has collaborated with Mara Galassi and the Musica d&#8217;Arpa foundation in Milan, and will give a solo recital for the <a href=\"http:\/\/www.follejournee.fr\/fr\/page\/l\u00e9tranger\" target=\"_blank\" rel=\"noopener\">Folle Journ\u00e9e \u00e0 l&#8217;\u00e9tranger<\/a>\u00a0festival on September 12th. 2015 also sees the\u00a0Philharmonic host the third <a href=\"http:\/\/eurasiafestival.ru\/en\" target=\"_blank\" rel=\"noopener\">Eurasia\u00a0Festival<\/a>, where Veronika will give a masterclass for the visiting Hong Kong Youth Orchestra.<\/p>\n<p>Since arriving in Ekaterinburg in 2012, Veronika\u00a0is the first harpist to have performed as a soloist with the orchestra, including the Boildieu concerto with Liss; 3 Mozart concertos (twice with Alexey Dorkin, once with Enkhe); the\u00a0Malecki double harp concerto with colleague Maria Pozdnyakova; and chamber music such as Conte Fantastique, again with Liss.<\/p>\n<div class=\"gdpr_opt_in\" data-cc-enable=\"youtube\">\n<div class=\"gdpr_opt_in__inner\">I want to enable video content and agree that data will be loaded from Google (see <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\" target=\"_blank\">Privacy Policy<\/a>).<\/div>\n<\/div>\n<div class=\"video_container\">\n<div class=\"video_container__inner\"><iframe title=\"Veronika Lemishenko - Andre Caplet. &quot;Le Masque de la Mort Rouge&quot;\" width=\"500\" height=\"281\" alt-src=\"https:\/\/www.youtube-nocookie.com\/embed\/iJH23WPjXXA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<p>Veronika\u00a0also gives numerous chamber concerts with other colleagues from the orchestra, particularly with organist\u00a0Taras Baginets, as a guest soloist in the first\u00a0Boris Berezovsky Festival, and in &#8216;Sticks and Strings&#8217;, Veronika&#8217;s duo with Ural Philharmonic Principal Percussionist\u00a0Anton Magrychev. The unusual harp\/percussion combination is also a good catalyst\u00a0for new music &#8211; works that the duo have commissioned thus far include &#8220;Make it so that I could talk to you&#8221; by Olga Victorova, and &#8220;Inside the Emptiness&#8221; by Anna Stoyanova.<\/p>\n<div class=\"gdpr_opt_in\" data-cc-enable=\"youtube\">\n<div class=\"gdpr_opt_in__inner\">I want to enable video content and agree that data will be loaded from Google (see <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\" target=\"_blank\">Privacy Policy<\/a>).<\/div>\n<\/div>\n<div class=\"video_container\">\n<div class=\"video_container__inner\"><iframe title=\"Olga Victorova - Make it so that I could talk to you\" width=\"500\" height=\"281\" alt-src=\"https:\/\/www.youtube-nocookie.com\/embed\/rJAVtfUlpK8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<p>Alongside her work in the orchestra and as a concert harp recitalist, Veronika has also created a fascinating body of work for the <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/harps-eng\/lever-eng\/bardic-27-eng\" target=\"_blank\" rel=\"noopener\">Bardic harp<\/a>. This began partly for practical reasons, because it is much easier to travel with a Bardic, and Veronika was using the instrument for a lot of her outreach work in Ekaterinburg. <a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1591 size-medium\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-300x300.jpg\" alt=\"Veronika with Bardic and baby\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-300x300.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-150x150.jpg 150w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-768x768.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-800x800.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-55x55.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n-250x250.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11911192_10206565239722798_1861587279_n.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>&#8220;I use it a lot for our parent-and-baby concerts, where parents come and sit on cushions on the floor with their children&#8221;, she says, &#8220;but I don&#8217;t think it&#8217;s only a baby instrument. I like to use it very much for teaching students who will go on to play the concert harp, because of its firm tension. And a lot of substantial\u00a0music can sound really good on it. \u00a0I began by arranging the Handel concerto, because this concerto was written for a non-pedal harp in the first place, and indeed even that isn&#8217;t fixed &#8211; the concerto was also played on the organ, on the cembalo&#8230;so I didn&#8217;t think Handel would turn in his grave if I played it on a Bardic. I had a\u00a0&#8220;Handel-Bardic&#8221; cadenza written for it, and I am happy with the overall result, I find it serious.<\/p>\n<p>Apart from Handel, I play a lot of Bernard Andr\u00e8s&#8217;s music on the Bardic. I&#8217;ve arranged harp duos by Dussek and Krumpholz, because I quite often do a recital with another harpist, but we can only transport one pedal harp&#8230;and\u00a0I work with three composers &#8211; Eugene Andreev, \u00a0Anna Stoyanova and Anton Eldarov in creating original repertoire for the instrument.&#8221;<\/p>\n<p>For the rest of 2015, Veronika is busier than ever. In additional to her orchestral\u00a0schedule, she will give a &#8220;Three harpists &#8211; three harps&#8221; concert with\u00a0Maria Pozdnyakova and Yugenia Marchenko, on an <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/harps-eng\/pedal-en\/atlantide-prestige-eng\" target=\"_blank\" rel=\"noopener\">Atlantide<\/a>, an <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/harps-eng\/lever-eng\/isolde-eng\" target=\"_blank\" rel=\"noopener\">Isolde<\/a> and a <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/harps-eng\/lever-eng\/bardic-27-eng\" target=\"_blank\" rel=\"noopener\">Bardic<\/a> at the <a href=\"http:\/\/m-i-e.ru\" target=\"_blank\" rel=\"noopener\">Museum of Ekaterinburg History<\/a>. \u00a0The end of October also sees a solo recital with Vyacheslav Redya in Zapirizgzhya, Ukraine; another at the &#8220;Glowing Harp&#8221; Festival; and more harp and organ, also with\u00a0Stanislav Kalinin. In December, \u00a0Veronika will perform the Ginastera\u00a0concerto with the Kharkov Philharmonic.<\/p>\n<p><a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1599 size-medium\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n-229x300.jpg\" alt=\"Veronika Lemishenko\" width=\"229\" height=\"300\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n-229x300.jpg 229w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n-300x392.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n-55x72.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n-250x327.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11889502_10206519833627674_3733107236543189655_n.jpg 688w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/a>&#8220;First of all, I feel incredibly lucky to\u00a0do what I love, rather than just have to go to work every day&#8221;, says Veronika. &#8220;Nothing is better for you, than when your life&#8217;s work is where your soul is. That&#8217;s why I&#8217;m always full of ideas and inspired by what I do. Of course, sometimes it&#8217;s hard and nerve-racking, but the work\u00a0and the results keep me on track. All this\u00a0makes me happy, and\u00a0I want to share it as much as I can and communicate my feelings to other people.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ural Philharmonic, Ekaterinburg, is attracting world-wide attention for its dynamic programming and top-level performances. Veronika Lemishenko is its principal harpist. <\/p>\n","protected":false},"author":3,"featured_media":1598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[552],"tags":[813],"class_list":["post-1584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-artists"],"acf":[],"yoast_head":"<title>Portrait of Veronika Lemishenko - Camac Harps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portrait of Veronika Lemishenko - Camac Harps\" \/>\n<meta property=\"og:description\" content=\"The Ural Philharmonic, Ekaterinburg, is attracting world-wide attention for its dynamic programming and top-level performances. Veronika Lemishenko is its principal harpist.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\" \/>\n<meta property=\"og:site_name\" content=\"Camac Harps\" \/>\n<meta property=\"article:published_time\" content=\"2015-09-01T06:00:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-07-06T14:48:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"960\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Helen Leitner\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Helen Leitner\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\"},\"author\":{\"name\":\"Helen Leitner\",\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/#\/schema\/person\/59b9e6843c0338179fb914afaf144d22\"},\"headline\":\"Portrait of Veronika Lemishenko\",\"datePublished\":\"2015-09-01T06:00:11+00:00\",\"dateModified\":\"2017-07-06T14:48:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\"},\"wordCount\":898,\"commentCount\":1,\"image\":{\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2015\/08\/11209670_10205762852783626_2969470209071959838_n.jpg\",\"keywords\":[\"artists\"],\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\",\"url\":\"https:\/\/www.camac-harps.com\/blog\/en\/news\/portrait-of-veronika-lemishenko\/\",\"name\":\"Portrait of Veronika Lemishenko - 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