{"id":21990,"date":"2018-01-11T19:08:23","date_gmt":"2018-01-11T19:08:23","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=21990"},"modified":"2018-04-20T14:07:55","modified_gmt":"2018-04-20T14:07:55","slug":"south-american-day-lespace-camac","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/uncategorized\/south-american-day-lespace-camac\/","title":{"rendered":"A South American Day at L&#8217;Espace Camac"},"content":{"rendered":"<p style=\"text-align: right;\">\u00a0<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-22016\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-724x1024.jpg\" alt=\"Rencontres Sud-Am\u00e9ricaines 2018\" width=\"724\" height=\"1024\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-724x1024.jpg 724w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-212x300.jpg 212w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-768x1087.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-1000x1415.jpg 1000w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-300x424.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-800x1132.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-55x78.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis-250x354.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/affichesouthamericaparis.jpg 1753w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a>Under the patronage of Isabelle Moretti, we will be hosting a South American Day on February 11th at <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/lespace-camac-paris\/\" target=\"_blank\" rel=\"noopener\">l&#8217;Espace Camac<\/a> in Paris. From 2PM &#8211; 5PM, you will have a chance to work with Marisela Gonzales, Professor of Harp at the\u00a0Mozarteum School of Music and the University Sim\u00f3n Bol\u00edvar, Caracas, Venezuela.\u00a0<\/p>\n<p style=\"text-align: justify;\">In addition to her teaching position, Marisela was Principal Harpist with the Venezuela Symphony Orchestra between 1987-2002, has published a book on South American harp repertoire, and\u00a0premiered and recorded many new works and traditional Venezuelan music for pedal harp.\u00a0She is coming to France to work with the class of the Paris Conservatoire, and we have been able to use our showroom to extend the opportunity to other students. You do not have to present South American music in the masterclass, but if you are working on some, seize your chance!\u00a0<\/p>\n<p style=\"text-align: justify;\">At 6PM, Gabriela Russo will take to the Espace Camac stage. Gabriela is Principal Harpist in the Orquesta de C\u00f3rdoba, and professor at\u00a0the F\u00e9lix T. Garz\u00f3n Conservatory, also in C\u00f3rdoba, Argentina. Throughout her career, she has specialised in the work of Argentinian and contemporary composers. Her programme in Paris will\u00a0include works by Maiztegui, Aguirre, Gianneo, Cervo, Ginastera and Piazzolla &#8211; some transcriptions, but chiefly original music for pedal harp.<\/p>\n<p style=\"text-align: justify;\">The concert is centred around Ginastera&#8217;s Sonatine for harp, a beautiful, but little-played work. This is because while Ginastera did not forbid performances of the Sonatine, he blocked all copying or publication of the score. Nobody is quite sure of his reason for this, but it is thought to be because he composed it before his harp concerto, and the spectacular success of the latter meant everybody forgot about the sonatine. &#8220;Nobody cared about it&#8221;, Gabriela explains. &#8220;It&#8217;s true that the third movement of the Sonatine evokes very similar tonal and rhythmic motifs to the concerto, but it&#8217;s a pity not to see it as a work in its own right too.&#8221;<\/p>\n<p style=\"text-align: justify;\">In the rest of the programme, Gabriela&#8217;s interest in Argentinian and contemporary music frequently find common ground. Three &#8216;Triste&#8217; by\u00a0Juli\u00e1n Aguirre combine\u00a0folkloric rhythms with art music melodic and harmonic writing, for example. And\u00a0Astor Piazzolla (we will hear &#8216;Adios Nonino&#8217;, <em>not<\/em> L&#8217;Histoire du tango), of course, brought Argentinian tango to classical art music. He studied with Ginastera, and also with Nadia Boulanger in Paris. The chromatic modernity of his tangos lead him to be criticised by some tango composers, but later on he was\u00a0claimed by intellectuals and rock musicians.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-21993\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-300x300.jpg\" alt=\"Gabriella Russo, Arpa\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-300x300.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-150x150.jpg 150w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-768x768.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-1024x1024.jpg 1024w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-1000x1000.jpg 1000w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-800x800.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-55x55.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd-250x250.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/01\/gabrielarussocd.jpg 1445w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Gabriela has recorded the works she is going to play in Paris &#8211; and some additional original repertoire, for example\u00a0\u00c1ngel Lasala&#8217;s\u00a0Suite Norte\u00f1a.\u00a0<\/p>\n<p style=\"text-align: justify;\">Entry is free, but as usual, please reserve your seats with S\u00e9bastien and Olivier at\u00a0<\/p>\n<p style=\"text-align: justify;\">Espace Camac Paris<br \/>\n 92, rue Petit &#8211; 75019 &#8211; Paris &#8211; France<\/p>\n<p style=\"text-align: justify;\">+33 (0) 1 40 40 08 40<\/p>\n<p style=\"text-align: justify;\"><a href=\"mailto:espace.camac.paris@camac-harps.com\">espace.camac.paris@camac-harps.com<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Under the patronage of Isabelle Moretti, we will be hosting a South American Day on February 11th at l&#8217;Espace Camac in Paris &#8211; with a focus on the classical harp literature of Venezuela and Argentina. <\/p>\n","protected":false},"author":3,"featured_media":22023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-21990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<title>A South American Day at L&#039;Espace Camac - 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