{"id":23071,"date":"2018-06-29T07:40:50","date_gmt":"2018-06-29T07:40:50","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=23071"},"modified":"2018-07-16T10:47:10","modified_gmt":"2018-07-16T10:47:10","slug":"cant-face-another-saint-saens-op-124","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/news\/cant-face-another-saint-saens-op-124\/","title":{"rendered":"Can&#8217;t face another Saint-S\u00e4ens Op. 124?"},"content":{"rendered":"<p style=\"text-align: justify;\">Lovely as the Saint-S\u00e4ens Fantasie Op. 124 is, there&#8217;s possibly only so many times you and your violinist colleague can perform it, before you start to feel like&#8230;maybe a <em>change<\/em>. And here you slam up against Harp Music Issue no. 194(a). appendix I: violin and harp is a lovely combination, but there isn&#8217;t an awful lot of repertoire. You can add a Spohr Sonata, Kikta, Damase&#8230;but there are few original works that you can really get your teeth into. Flute and harp, for all it&#8217;s often less enthusiastically-received by audiences and promoters than violin and harp, has considerably more music at its disposal: Alwyn, Bax, Feld, Heath, Jongen, Liebermann, Rota, Takemitsu, several concertos, etc.\u00a0<\/p>\n<p style=\"text-align: justify;\">Like many musicians facing this problem, <a href=\"http:\/\/www.harpist.eu\" target=\"_blank\" rel=\"noopener\">Katrina Szederkenyi<\/a> and her father, the violinist Nandor Szederkenyi have turned to transcriptions to solve it. More unusually, they are transcribing big works from the orchestral repertoire. They have just released an e-album &#8211; &#8220;Shall We Dance&#8230;?&#8221; &#8211; featuring many of their arrangements. It doesn&#8217;t contain the Saint-Sa\u00ebns Fantasie at all, and also none of the usual transcriptions, like the Massenet Meditation. Instead, here are the tracks: Weber&#8217;s Aufforderung zum Tanz; Un Bal\/Symphonie Fantastique; Liszt&#8217;s Mephisto Waltz, Shostakovich Moments Nostalgiques from the Jazz Suites 1&amp;2; Salome&#8217;s Dance; and Dance of the Hours from La Giaconda. You can download it all on iTunes,\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/album\/shall-we-dance\/1288648217\" target=\"_blank\" rel=\"noopener\">here<\/a>.\u00a0<\/p>\n<div class=\"gdpr_opt_in\" data-cc-enable=\"youtube\">\n<div class=\"gdpr_opt_in__inner\">I want to enable video content and agree that data will be loaded from Google (see <a href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/cant-face-another-saint-saens-op-124\/\" target=\"_blank\">Privacy Policy<\/a>).<\/div>\n<\/div>\n<div class=\"video_container\">\n<div class=\"video_container__inner\"><iframe title=\"&quot;Shall We Dance...?&quot; - Trailer\" width=\"500\" height=\"281\" alt-src=\"https:\/\/www.youtube-nocookie.com\/embed\/v5kC5IgX2MQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<p style=\"text-align: justify;\">Nandor and Katrina make their arrangements together. &#8220;We&#8217;re united by the fact we both love a challenge&#8221;, says Nandor. Both are also orchestral musicians &#8211; Nandor has held concert master positions all over the world, while Katrina works in German orchestras. &#8220;As an orchestral harpist, I hear this repertoire all the time, but the harp doesn&#8217;t always have a big part in it&#8221;, Katrina explains. &#8220;I wanted to be able to share in this music more fully. And when you&#8217;ve played it in the orchestra, then when you come to it as chamber music (or as a <a href=\"http:\/\/istrings.eu\/sheet-music\/harp\/\" target=\"_blank\" rel=\"noopener\">solo<\/a>) you have more respect for the score &#8211; you&#8217;re aware of all its facets, all the other instruments that would be around you. Musically, it&#8217;s dangerous to approach any music from a purely harpistic point of view. We haven&#8217;t often the same profundity in our literature, and you can&#8217;t learn about a particular aspect of music, if you&#8217;ve \u00a0never heard it because it never featured in your pieces. One of the best music lessons you can have is to play in the orchestra &#8211; and the opera, because of course if you play something in a way a singer couldn&#8217;t sing it, chances are what you did wasn&#8217;t musical.&#8221;<\/p>\n<p style=\"text-align: justify;\">&#8220;It&#8217;s not only harpists who can be guilty of confining their musical horizons to their instrument&#8221;, Nandor adds. &#8220;Even with the large violin repertoire, and the even larger piano one, people continually play the same three concertos, the same showpieces&#8230;my father was a violinist, with his eyes on a solo career for me. I do a lot of solo, but I also told him I really wanted to play in an orchestra. Because of the music.&#8221;<\/p>\n<div id=\"attachment_23076\" class=\"wp-caption alignright\" style=\"width: 214px\"><a href=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23076\" src=\"https:\/\/www.camac-harps.com\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier-214x300.jpg\" alt=\"Rosenkavalier Waltz \/ Szederkenyi\" width=\"214\" height=\"300\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier-214x300.jpg 214w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier-300x421.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier-55x77.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier-250x351.jpg 250w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2018\/06\/rosenkavalier.jpg 562w\" sizes=\"auto, (max-width: 214px) 100vw, 214px\" \/><\/a><p class=\"wp-caption-text\">Rosenkavalier Waltz, transcribed and edited by Nandor and Katrina Szederkenyi<\/p><\/div>\n<p style=\"text-align: justify;\">&#8220;I also really see all our arrangements as chamber music&#8221;, Katrina continues. &#8220;a harp will often find themselves the accompaniment to a more soloistic duo partner, because it&#8217;s a polyphonic instrument. That&#8217;s fine, but we also need more complex chamber music in the tradition of a piano trio or string quartet. I&#8217;ve also asked my father to arrange some of our transcriptions for harp and string quartet, because we need more literature for that combination too.&#8221;<\/p>\n<p style=\"text-align: justify;\">These exciting, virtuosic transcriptions are all available to buy here on <a href=\"https:\/\/istrings.eu\/sheet-music\/\" target=\"_blank\" rel=\"noopener\">Nandor&#8217;s website<\/a>.\u00a0The violin and harp parts include bowings, fingerings and (good!) pedal markings. Another practical point: for the pieces which have big orchestral harp parts anyway (Berlioz, Weber, Salome&#8230;), the harp part remains the same where possible. &#8220;I know how frustrating it can be when you&#8217;re\u00a0playing a transcription of something you already know really well, and it\u2019s just a little bit different\u2026&#8221;, Katrina points out.<\/p>\n<p style=\"text-align: justify;\">\u00a0 These are &#8211; as you&#8217;ll see in the excerpt pages on the site &#8211; arrangements for professionals, but some easier Puccini arrangements will also be coming soon.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katrina and Nandor Szederkenyi are extending the violin and harp repertoire, with an exciting body of virtuoso transcriptions from orchestral literature. <\/p>\n","protected":false},"author":3,"featured_media":23076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[778,552],"tags":[],"class_list":["post-23071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-news"],"acf":[],"yoast_head":"<title>Can&#039;t face another Saint-S\u00e4ens Op. 124? 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