{"id":26007,"date":"2019-02-18T12:10:35","date_gmt":"2019-02-18T12:10:35","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=26007"},"modified":"2019-03-06T18:20:27","modified_gmt":"2019-03-06T18:20:27","slug":"collegium21-2019","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/news\/collegium21-2019\/","title":{"rendered":"Collegium21 New Music Competition"},"content":{"rendered":"<p style=\"text-align: justify;\">The French association <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=27\" target=\"_blank\" rel=\"noopener noreferrer\">Les Signes de l&#8217;Arc<\/a> has long been an important promoter of contemporary harp music. Founded by Laurence Bancaud, H\u00e9l\u00e8ne Breschand, Aur\u00e9lie Barb\u00e9 and Mathilde Aubat-Andrieu, the association has developed a wealth of resources for the field. They have published an excellent book,\u00a0<a href=\"http:\/\/www.harpes-camac-boutique.net\/product_info.php?products_id=3053\" target=\"_blank\" rel=\"noopener noreferrer\">La harpe aux XXe et XXIe si\u00e8cles<\/a>, which gives an overview of 20th and 21st century repertoire, notation &#8211; and organology; pedal, lever, electric, electroacoustic harps are covered, and also the MIDI harp, the <em>harpe automatique,\u00a0<\/em>and prepared instruments.\u00a0<\/p>\n<p style=\"text-align: justify;\">The book has hitherto only been available in French, but\u00a0<a href=\"https:\/\/www.amazon.fr\/dp\/025303938X\/ref=cm_sw_em_r_mt_dp_U_QQmlCb0NZN43Z\" target=\"_blank\" rel=\"noopener noreferrer\">an English version is coming out on April 1st!<\/a>\u00a0Translated by Lilian Rossi and Jean Rossi under the title &#8220;Guide to the Contemporary Harp&#8221;, you can\u00a0<a href=\"https:\/\/www.amazon.com\/Guide-Contemporary-Harp-Mathilde-Aubat-Andrieu\/dp\/025303938X\/ref=sr_1_1?ie=UTF8&amp;qid=1548621421&amp;sr=8-1&amp;keywords=Guide+to+the+Contemporary+Harp\" target=\"_blank\" rel=\"noopener noreferrer\">pre-orderer your copy now<\/a>. Meanwhile, the association has also recently published helpful English-language summaries of the <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=2051\" target=\"_blank\" rel=\"noopener noreferrer\">introduction<\/a>, <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=2055\" target=\"_blank\" rel=\"noopener noreferrer\">chapter breakdown<\/a> and <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=226\" target=\"_blank\" rel=\"noopener noreferrer\">glossary.<\/a><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_26009\" class=\"wp-caption aligncenter\" style=\"width: 1000px\"><a href=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26009 size-full\" src=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider.jpg\" alt=\"Bussoti\" width=\"1000\" height=\"288\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider.jpg 1000w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider-300x86.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider-768x221.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider-800x230.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider-55x16.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2019\/01\/bussotislider-250x72.jpg 250w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><p class=\"wp-caption-text\">Sylvano Bussotti: Fragmentations pour un joueur de harpes, Aldo Bruzzichelli, 1963. Image: <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=27\" target=\"_blank\" rel=\"noopener noreferrer\">Les Signes de l&#8217;Arc<\/a><\/p><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Another important online resource is the association&#8217;s <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=16\" target=\"_blank\" rel=\"noopener noreferrer\">digital library<\/a> of contemporary scores, some accompanied by audio extracts, and many available to download from the <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=533\" target=\"_blank\" rel=\"noopener noreferrer\">e-store<\/a>. Beyond the internet, they run a touring project to help students discover contemporary music (&#8220;Harpes au pr\u00e9sent&#8221;), publish <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=1851\" target=\"_blank\" rel=\"noopener noreferrer\">newsletters<\/a>, and since 2016 they have also organised a <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=1205\" target=\"_blank\" rel=\"noopener noreferrer\">competition<\/a> dedicated to new music.\u00a0<\/p>\n<p style=\"text-align: justify;\">2019&#8217;s Collegium21 competition will take place on April 14th, at the <a href=\"http:\/\/crr.paris.fr\/CRR_de_Paris.html\" target=\"_blank\" rel=\"noopener noreferrer\">CRR de Paris<\/a> in the Rue Madrid. It continues the work of the Des Lyres et des Arts contest, organised by Ghislaine Petit-Volta. Open to all levels, each stage has a set work and a free-choice one &#8211; and candidates are invited to take part in masterclasses with the composers of the set pieces, also at the CRR on March 23rd and 24th.\u00a0<\/p>\n<p style=\"text-align: justify;\">The closing date for applications is the 9th of March 2019; registration form and set work lists are available <a href=\"http:\/\/www.lessignesdelarc.org\/?page_id=2206\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.\u00a0<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Collegium21 competition is organised by Les Signes de l&#8217;Arc, the excellent French association dedicated to new music. The competition will take place on April 14th this year in Paris &#8211; and candidates are invited to take part in masterclasses with the composers of the set pieces, also in Paris at the end of March.\u00a0Open to all levels, each stage has a set work and a free-choice one, and is a wonderful opportunity for even the youngest students to get to grips with contemporary music. Don&#8217;t miss the closing date &#8211; March 9th! <\/p>\n","protected":false},"author":3,"featured_media":26071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[778,552],"tags":[],"class_list":["post-26007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest","category-news"],"acf":[],"yoast_head":"<title>Collegium21 New Music Competition - Camac Harps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/collegium21-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Collegium21 New Music Competition - Camac Harps\" \/>\n<meta property=\"og:description\" content=\"The Collegium21 competition is organised by Les Signes de l&#039;Arc, the excellent French association dedicated to new music. The competition will take place on April 14th this year in Paris - and candidates are invited to take part in masterclasses with the composers of the set pieces, also in Paris at the end of March.\u00a0Open to all levels, each stage has a set work and a free-choice one, and is a wonderful opportunity for even the youngest students to get to grips with contemporary music. 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