{"id":28118,"date":"2020-09-01T06:00:15","date_gmt":"2020-09-01T06:00:15","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=28118"},"modified":"2020-09-11T04:35:23","modified_gmt":"2020-09-11T04:35:23","slug":"camac-harps-presents-egerie","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/news\/camac-harps-presents-egerie\/","title":{"rendered":"Camac Harps presents…\u00c9g\u00e9rie"},"content":{"rendered":"

\"Camac<\/a><\/p>\n

A contemporary interpretation of French savoir-faire\u00a0<\/h3>\n

The exceptional sound of 19th-century French harps stems from their construction in curves, bends and arcs. These shapes were made by hand, meaning that harps were only available to the privileged few. The onset of 20th century manufacturing techniques played a vital role in making the harp more accessible, but the machines of the time necessitated straighter lines and a certain simplification of the instrument\u2019s structure.<\/p>\n

In the 21st century, technology can now achieve many things that earlier were only possible by hand. Camac has returned to Erard\u2019s curved lines, in the context of modern luthiery.<\/p>\n

\"Camac<\/a>The fruit of years of research\u00a0<\/h3>\n

It took fifteen years to perfect these curved structures, and achieve the sound we wanted. This appeared firstly in our Concert Grand harps: the Canop\u00e9e<\/a>, the Art Nouveau<\/a>, and then throughout the top of our range. These instruments soon became the choice of the finest soloists, and orchestras such as the Vienna Philharmonic<\/a>, the Paris Opera<\/a>, the Gewandhausorchester<\/a>, the Bavarian State Opera<\/a>, and the Deutsche Oper Berlin<\/a>.<\/p>\n

As we fielded the waiting lists for these exceptional harps, we wanted also to offer the nouveau son Camac – the new Camac sound – to the middle part of our range. The \u00c9g\u00e9rie<\/a> is the embodiment of this democratisation. The harp is available with either a straight or an extended soundboard, and with a beautiful, streamlined aesthetic.<\/p>\n

\"Camac<\/a>A classic aesthetic for the artists of the future\u00a0<\/h3>\n

“\u00c9g\u00e9rie” means “Muse” in French. We wanted the harp\u2019s aesthetic to speak to all harpists. Every artist studying classical forms today – be they musicians, ballet dancers, visual artists – are the future of great traditions that have been built up over centuries. We were inspired by this for the \u00c9g\u00e9rie<\/a>\u2019s design, with its accents of Art Deco and Streamline Moderne.<\/p>\n

The Art D\u00e9co influence is particularly visible in the \u00c9g\u00e9rie’s optional soundboard decoration. It is the most ornate part of the harp – because the soundboard is the heart of the instrument\u2019s sound.<\/p>\n

\"Camac<\/a>To discover the \u00c9g\u00e9rie, please contact us in Paris or Mouzeil, or via your Camac distributor.\u00a0<\/p>\n

Camac Harps
\nLa Richerais BP15
\nF 44850 Mouzeil
\nFrance
\nTel. +33.2.40.97.79.50
\ninfo@camac-harps.com<\/a><\/p>\n

L’Espace Camac de Paris
\n92, rue Petit \u2013 75019 \u2013 Paris
\nTel. +33.1.40.40.08.40
\nespace.camac.paris@camac-harps.com<\/a><\/p>\n

 <\/p>\n

Photos: Vincent Jacques<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Today, we\u2019re delighted to launch a new concert harp: \u00c9g\u00e9rie. A contemporary interpretation of French savoir-faire,
\n\u00c9g\u00e9rie is our latest evolution after 15 years of research into the exceptional sound of \u00c9rard harps. <\/p>\n","protected":false},"author":3,"featured_media":28119,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[552],"tags":[],"class_list":["post-28118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"Camac Harps presents...\u00c9g\u00e9rie - New pedal harp<\/title>\n<meta name=\"description\" content=\"Camac Harps France are delighted to present a new concert harp; \u00c9g\u00e9rie. 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