{"id":31953,"date":"2026-03-03T10:54:33","date_gmt":"2026-03-03T08:54:33","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=31953"},"modified":"2026-04-01T19:49:21","modified_gmt":"2026-04-01T17:49:21","slug":"flavours-of-turkish-music-for-harpists-an-open-source-primer-by-sirin-pancaroglu","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/news\/flavours-of-turkish-music-for-harpists-an-open-source-primer-by-sirin-pancaroglu\/","title":{"rendered":"Flavours of Turkish Music for Harpists: An Open-Source Primer by \u015eirin Pancaro\u011flu"},"content":{"rendered":"

Harpist \u015eirin Pancaro\u011flu\u2019s work with the Turkish Harp Project is recognised worldwide, including performing on authentic instruments, leading workshops globally, and publishing and composing highly acclaimed original music influenced by Turkish musical idioms.\u00a0<\/span><\/p>\n

With her latest educational resource, \u201cFlavours of Turkish Music for Harpists,\u201d \u015eirin draws on her extensive experience exploring Turkish harp music to inspire harpists from any background and introduce them to Turkish melodies and rhythms in a clear, accessible manner. This collection of carefully collected and notated melodies adopts an approach that respects both the harp\u2019s natural qualities and Turkish musical traditions. Designed for lever harp (though suitable for pedal harp), the 120 studies are thoughtfully graded for pedagogical purposes.<\/span><\/p>\n

 <\/p>\n

\"\u015eirin<\/p>\n

 <\/p>\n

Origins and Reconnection: \u015eirin’s Journey Back to Her Roots\u00a0<\/b><\/p>\n

Having left Turkey while still in her teens and studied in Geneva and later in Bloomington (with the late Susann MacDonald), \u015eirin was in her early thirties when she returned to her homeland to settle. With comprehensive training in Western harp literature, \u015eirin had not programmed any pieces that could be considered Turkish music. If the opportunity arose to perform traditional music, she had to arrange it herself, as there was little published or easily accessible for a harpist, since few had followed that path before. After nearly 20 years abroad, \u015eirin decided it was time to reconnect with her roots. Returning to her homeland and seeking new directions for the harp, she saw this as an opportunity to integrate the Turkish aspects of her identity, both personally and musically.\u00a0<\/span><\/p>\n

Working closely with contemporary Turkish composers was her first step in this process, and being immersed in a totally new vocabulary was very invigorating: <\/span>\u201cI immediately thought this is interesting, because the framework was a contemporary piece in a Western approach. However, looking at the basic elements,I thought, well, those rhythms, I’m not sure any Westerner can play those [\u2026] it really comes from our own traditional music; changing, complex, uneven meters\u201d\u00a0<\/span><\/i><\/p>\n

This resulted in a deepening engagement with not only Turkish traditional music but also with the forgotten historical harp of her native land.<\/span><\/p>\n

 <\/p>\n

Reviving the Ancient \u00c7eng: Bridging Traditions and Modern Practice<\/b><\/p>\n

Having grown up in a family rich in Turkish history and culture, \u015eirin had long been fascinated by the images her sister, an art historian specialising in medieval Islamic art, shared with her. These included miniature paintings and illuminated scripts, often featuring scenes in which a harp-like instrument, the \u00e7eng, plays a central role. The \u00e7eng is an ancient instrument from Mesopotamia, dating back 4,000\u20135,000 years. Its design varies, and it has travelled through Syria, Iran, Iraq, China, Japan, and Korea, forming a family of related instruments with cultural significance in Persian and Ottoman regions. As a Turkish harp player, \u015eirin felt it was vital to understand and revive the \u00e7eng. Her work involves collaborating with instrument makers to build playable prototypes, as no historical instrument survived.<\/span><\/p>\n

As a Turkish musician with Western training, \u015eirin faced challenges when engaging with traditional Turkish music. <\/span>\u201cReaching Turkish masters was straightforward; they appreciated my genuine interest in their often forgotten instrument. [\u2026] Turkish musicians master their instruments through oral tradition, memorising hundreds of melodies and techniques, making the musical practice highly practical and improvisational. Success requires humility and a deep understanding of this tradition, which can be tough for outsiders to grasp.\u201d<\/span><\/i>\u00a0<\/span><\/p>\n

\"Sirin_Pancarog\u0306lu

Sirin_Pancarog\u0306lu presents the \u00e7eng at a recent lecture.<\/p><\/div>\n

On top of this, \u015eirin had to reckon with the fact that the \u00e7eng functions quite differently from the Western harp, i.e., that its vocabulary is much more melodic than harmonic accompaniments. Turkish music is melodic and notated on a single staff. <\/span>\u201cStringed instrument players add melodic embellishments and focus on a horizontal flow coupled with rigorous rhythm,\u201d<\/span><\/i>\u00a0\u00a0<\/span><\/p>\n

How the Resource works\u00a0<\/b><\/p>\n

Having gathered knowledge and experience, raising awareness of this ancient harp within the harp community felt to \u015eirin like a valuable next step, and the most effective way to achieve this seemed to be to present and notate this musical language for players of the Western lever or pedal harp. But how would her Western colleagues approach this highly melodic music?\u00a0<\/span><\/p>\n

The melodies specifically composed for this resource serve as a primer for the material in The Turkish Harp Music Collection, the critically annotated edition of Turkish music for modern harps, comprising 26 works published by 80 Days Publishing. By accessing this resource, players can acquire knowledge to help them engage with more advanced pieces of the music collection.<\/span><\/p>\n

\"Flavours<\/p>\n

\u00a0<\/span>\u201cThe pieces inside [in Flavours of Turkish Music] are very short. They’re more like little studies or \u00e9tudes, actually\u201d <\/span><\/i>The \u00e9tudes are categorised by their <\/span>makam<\/span><\/i>. <\/span>Makam<\/span><\/i> is the Turkish system for creating melodies, shaped by colourful scales and inherent motivic characteristics. <\/span>\u00a0<\/span>The author carefully developed and categorised the material to help harpists understand these elements of Turkish music,\u00a0 and although this process has spanned nearly a decade, \u015eirin decided it should be an open resource, free for all at the point of use.\u00a0<\/span><\/p>\n

“This should be accessible to everyone [\u2026] Writing this primer was a huge learning process for me, and I felt I should share it with the harp community. Technology now makes sharing easy and joyful. It’s wonderful to be able to simply download and offer these resources, which is liberating. Sharing fosters connection, much as oral traditions do in transmitting music, though our modern methods are evolving. Through technology, such as the Turkish Harp Sessions, which are the audio companion of the music collection, we preserve these cultural practices in new ways.\u201d<\/span><\/i><\/p>\n

 <\/p>\n

A rapidly expanding cross-cultural venture<\/b><\/p>\n

In all, as well as the Turkish Harp Music Collection, the primer is a testament to \u015eirin\u2019s profound study of Turkish harp music: <\/span>\u201cIf you said 10 years ago, someday you’re going to be composing music, arranging, transcribing, publishing, I would have laughed.\u201d\u00a0<\/span><\/i><\/p>\n

\u201cFlavours of Turkish Music for Harpists\u201d is just one branch of a vast transcultural initiative, \u201cThe Turkish Harp Project\u201d, and its activities are going from strength to strength.\u00a0 \u015eirin believes that this deep immersion can broaden all of our horizons<\/span>: \u201cThat’s what Turkish music allowed me to do; it\u2019s a very practical music that if you play, you think, you perform. It’s a sort of sound and rhythmic vocabulary [\u2026] that allows your brain to begin functioning in a slightly different way.\u00a0 It has been a very gratifying process.\u201d\u00a0<\/span><\/i><\/p>\n

The twenty volumes of Flavours of Turkish Music for Harpists<\/i> are available for free download on the 80 Days Publishing<\/b> website \u2013 an open invitation to broaden our musical horizons and explore, on the harp, the richness of a thousand-year-old language.<\/p>\n

https:\/\/80dayspublishing.com\/collections\/lever-harp-downloads\/flavours-of-turkish-music<\/i><\/a><\/p>\n

\u00a0<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Harpist \u015eirin Pancaro\u011flu\u2019s work with the Turkish Harp Project is recognised worldwide, including performing on authentic instruments, leading workshops globally, and publishing and composing highly acclaimed original music influenced by Turkish musical idioms.\u00a0<\/p>\n

With her latest educational resource, \u201cFlavours of Turkish Music for Harpists,\u201d \u015eirin draws on her extensive experience exploring Turkish harp music to inspire harpists from any background and introduce them to Turkish melodies and rhythms in a clear, accessible manner. This collection of carefully collected and notated melodies adopts an approach that respects both the harp\u2019s natural qualities and Turkish musical traditions.<\/p>\n","protected":false},"author":11708,"featured_media":31967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[552],"tags":[],"class_list":["post-31953","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"Flavours of Turkish Music for Harpists: An Open-Source Primer by \u015eirin Pancaro\u011flu - Camac Harps<\/title>\n<meta name=\"description\" content=\"With \u201cFlavours of Turkish Music for Harpists,\u201d \u015eirin Pancaro\u011flu draws on her extensive experience exploring Turkish harp music to inspire.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/en\/news\/flavours-of-turkish-music-for-harpists-an-open-source-primer-by-sirin-pancaroglu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flavours of Turkish Music for Harpists: An Open-Source Primer by \u015eirin Pancaro\u011flu - 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