{"id":3208,"date":"2015-12-31T18:52:29","date_gmt":"2015-12-31T18:52:29","guid":{"rendered":"http:\/\/www.harpblog.info\/?p=3208"},"modified":"2017-06-29T07:57:49","modified_gmt":"2017-06-29T07:57:49","slug":"camac-review-of-the-year-2015-2","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/en\/uncategorized\/camac-review-of-the-year-2015-2\/","title":{"rendered":"Camac Review of the Year 2015"},"content":{"rendered":"

2015 saw us launch not one, but two new lever harp models. We announced the new crown to our lever range, Ulysse<\/a>, in February – and another instrument inspired by legend, Excalibur,<\/a> in the summer.<\/p>\n

 <\/p>\n

https:\/\/vimeo.com\/131785852<\/a><\/p>\n

 <\/p>\n

A vigorous\u00a0programme of special presentations followed. The Ulysse’s first appearance was at the Espace Camac on March 8th, while Fran\u00e7ois Pernel gave a fantastically dynamic launch of Excalibur with his band\u00a0Oak Ink, at the 32nd Rencontres Internationales des Harpes Celtiques in Dinan<\/a>. Our programme of special presentations of these two new instruments is ongoing – your next chance to experience them will be in Antwerp on January 23rd – 24th – and you can keep an eye on our calendar<\/a> for details of more events.<\/p>\n

 <\/p>\n

https:\/\/vimeo.com\/122361638<\/a><\/p>\n

 <\/p>\n

\"Dni<\/a>Other events we ran in 2015 included a big\u00a0tour of Poland, for the Cracow Harp Days<\/a>,\u00a0and the regulation of over one hundred harps in five major cities. We launched Dasson An Delenn<\/a> a new competition which continues our work supporting the lever harp<\/a>, and particularly in our native Brittany. On the competition front, we continue annually to support the Concours Fran\u00e7ais de la Harpe, the Camac Competition in London, and\u00a0a wealth of other contests that happen every few years. We extended our presence in Switzerland – hitherto more concentrated in Romandy – to the German-speaking region, with\u00a0the Harfenfest Luzern<\/a>. \"Festival<\/a>At home, we held numerous concerts and masterclasses at L’Espace Camac<\/a>, our flagship showroom in Paris, and in October, we held the tenth Festival Camac. The Festival Camac\u00a0is an annual event which always takes place in a different francophone region, the idea being to celebrate the richness of harp life beyond our capital. This year saw a particularly special programme in Nancy<\/a>.<\/p>\n

Many of our events and presentations take place in collaboration with our valued international partners. Our partner network is vital\u00a0to our\u00a0global accessibility, and you can find a Camac partner at your service<\/a>\u00a0all over\u00a0the world.\u00a0We were glad\u00a0to escape the European bleak midwinter and go to Singapore for the launch of Katryna Tan’s magnificent new centre, on January 18th<\/a>:\u00a0<\/strong>we also loved HarpFest Singapore<\/a> in September.\u00a0\u00a0<\/strong>February 7th – 8th saw us in\u00a0Cardiff with Telynau Vining<\/a>, <\/strong>and later in the year we also went with Vining to Edinburgh and to Cambridge<\/a>.\u00a0<\/strong>The first half of 2015 also saw five special touring projects<\/a> in association with \"Harfengalerie<\/a>the Harfengalerie Camac Berlin<\/a>, the Zagreb International\u00a0Festival<\/a> with Camac Croatia, and the twentieth\u00a0Petar Konjovi\u0107 International Harp Competition together with our Serbian partners in Belgrade. We joined forces with partners Opus Peru Ars for the\u00a0Encuentro Latinoamericano de Arpistas<\/a> in Miraflores, and\u00a0went to Princeton<\/a>, Somerset<\/a> and Williamsburg<\/a>\u00a0with the Virginia Harp Center. Somerset was the scene of the US launch of our Ulysse – and everything was sold on the first day!\u00a0We designed ten special “frozen blue” finishes<\/a> for Harp Chamber in Hong Kong, and attended the major music fairs in Frankfurt and Shanghai with our German and Chinese partners respectively. Also in China, we ran a special course for teachers, with Katryna Tan and our partners Beijing Aria Cultural Development<\/a>.<\/p>\n

We never cease to be inspired by the wonderful artists with whom we are privileged to work. It is impossible to list them all!\u00a0We were blown away by Isabelle Moretti and Fran\u00e7ois Leleux’s new performances of the Mozart concerto with harp and oboe, in Norway and in Germany; have still barely recovered from Sylvain Blassel’s incredible Liszt programme in Princeton<\/a>;\u00a0it was also in Princeton that we discovered Addi and Jacq<\/a>. Anneleen Lenaerts’s new disc of concertos with the Brussels Philharmonic was released on the same day she gave a magnificent recital for us in Prague (OK, that was actually at the end of 2014, but we’ve been inspired by it\u00a0all\u00a0this year as well<\/em>). At our festival in Nancy, we\u00a0were very proud to hear Elinor Bennett perform on five instruments from our treasured historical harp collection; and it was also in Nancy that we were deeply moved by an evening of concertos with an amateur orchestra, the Mettensis Symphonia.<\/p>\n

We also loved watching\u00a0an extensive video series<\/a> by Carnegie Hall about\u00a0Edmar Castaneda\u00a0– including one video about the custom llanera we designed with and for him. \u00a0The development of our South American harps continues to be an incredibly exciting window on new worlds, and we are often in South America at their amazing festivals. In October, 2015, we launched a new electric Paraguayan harp at the\u00a0World Harp Festival in Asuncion.<\/p>\n

https:\/\/youtu.be\/qkPmrn97rE8<\/a><\/p>\n

 <\/p>\n

Speaking of harps travelling far and wide: Catrin Finch also gave us a good challenge: shipping a blue harp to Addis Ababa<\/a>, for her work as an ambassador for Water Aid. Lara Somogyi continued her\u00a0Big Blue Sessions project, a collection of pop videos created by means of the blue harp alone (and for which we sponsored her blue harp<\/a>). We provided lever harps for a major outreach project with\u00a0C\u00e9line Gay Des Combes and Blandine Pigaglio at the Conservatoire Populaire in Geneva, and Elisabeth Valletti brought out her album – Sacrum’5<\/a> – recorded on our MIDI concert harp. The MIDI harp, launched in 2011, is not in commercial production: we have two which we keep for special projects. We were also pleased to be ask to recommend a young harpist to take part in the French TV talent show “Les Prodiges” – and that she won!<\/p>\n

Our online store<\/a> does its best to keep up with the wealth of talent and new material flying onto our desks from all corners of the harp world!<\/p>\n

\"At<\/a>

Inspecting a recent delivery at the sawmill<\/p><\/div>\n

It was also in the winter of 2015 that our in-house paparazzi had a chance to go with Jakez to Austria,<\/a> where he\u00a0selects the alpine spruce for our soundboards.\u00a0We\u00a0only consider\u00a0wood that has grown at a minimum altitude of 1000m, and from forests that are members of the PEFC sustainable forests programme. Read more about the process here<\/a>, and find out why the soul of a brand-new Camac harp, no matter how innovative, is also already more than two hundred years old.<\/p>\n

\"Entreprise<\/a>At heart, it is the\u00a0old and new together that is also the fundamental inspiration behind\u00a0our harp making. We honour\u00a0the finest traditions of French luthery, and we are also constantly\u00a0seeking improvements,\u00a0making\u00a0our harps better and better for you. We are proud to continue to make\u00a0harps entirely in France, in\u00a0the same Breton ateliers we have always had, with a treasured\u00a0base of expert colleagues who have collaborated, sparked each other’s creativity and developed their savoir-faire together for years.<\/p>\n

As the old year gives way to the new, we wish you all a very happy and fulfilling 2016.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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