{"id":1038,"date":"2015-06-15T14:03:10","date_gmt":"2015-06-15T14:03:10","guid":{"rendered":"http:\/\/www.harpblog.info\/?p=1038"},"modified":"2017-07-01T16:43:37","modified_gmt":"2017-07-01T16:43:37","slug":"eduardo-betancourt-et-sa-camac-llanera","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/eduardo-betancourt-et-sa-camac-llanera\/","title":{"rendered":"Eduardo Betancourt et sa llanera Camac"},"content":{"rendered":"

Muchas gracias au grand harpiste v\u00e9n\u00e9zu\u00e9lien Eduardo Betancourt, pour son gentil texte (ci-dessous) concernant nos harpes llaneras\u00a0!<\/p>\n

Eduardo Betancourt est un artiste \u00e0 l’exp\u00e9rience professionnelle de plus de vingt ans dans le monde de la musique traditionnelle v\u00e9n\u00e9zu\u00e9lienne, que ce soit en tant que producteur, arrangeur et multi-instrumentiste. Il a donn\u00e9 des concerts et des master classes de harpe llanera dans le monde entier, de la Colombie jusqu’\u00e0 Londres, de Vancouver jusqu’au Paraguay, il a \u00e9cum\u00e9 la c\u00f4te est en long et en large au Chili, en Argentine, \u00e0 Bonaire, au P\u00e9rou et \u00e0 Cuba, et il s’est m\u00eame rendu en Namibie, \u00e0 Johannesburg et au Mozambique. Il a repr\u00e9sent\u00e9 le Venezuela dans des festivals internationaux tels que le premier Festival Mundial del Arpa \u00e0 Asuncion, Mishquila de Arpas \u00e0 Santiago del Estero, Am\u00e9rica en Cuerdas \u00e0 Buenos Aires, le Festival del Arpa en Cerrillos \u00e0 Mexico, le Festival Internacional del Folklor \u00e0 Cosquin, Arpas al Sur de Chile, trois \u00e9ditions du festival Sonamos Latinoam\u00e9rica (\u00e0 Santa Fe, Caracas et Lima), Carnaval del Sol \u00e0 Vancouver, Arpegios de la Primavera \u00e0 Tokyo, et bien d’autres.<\/p>\n

Sa discographie est tr\u00e8s impressionnante et il a enregistr\u00e9 avec Simon Diaz, Oscar D’Leon, Gilberto Santa Rosa, Ilan Chester, Danny Rivera, Jorge Celedon, Gualberto Ibarreto, Cecilia Todd, Querales Ismael, Francisco Pacheco, Esperanza Marquez, Magdalena Sanchez, Rafael \u00ab\u00a0El Pollo\u00a0\u00bb Brito, Huascar Barradas, Jose Ali Nieves, Francisco Montoya, Juan de los Santos Contreras (le Limpkin Palmarito), Reynaldo Armas, Cristina Maica, Argenis Sanchez, Armando Martinez, Rogelio Ortiz, Christopher Jimenez Colmenares Vidal, Ignacio Rondon River Dennis, Gurruf\u00edo Assembly, Pavilion without Railing, les Scoundrels, Luis \u00ab\u00a0Papo\u00a0\u00bb Marquez (trompettiste cubain) sur un album en hommage au ma\u00eetre Arturo Sandoval, Gabriel Luna (pianiste argentin), Fabiola Joseph et Famas Loop.<\/p>\n

Actuellement, Eduardo Betancourt produit, dirige et joue dans d’importants projets musicaux v\u00e9n\u00e9zu\u00e9liens, comme par exemple avec les groupes de Rafael Brito, Huascar Barradas, Ismael Querales y sus Bandolas, Rey Armas, Ronald Punch, 1492, etc. Il a \u00e9galement jou\u00e9 pendant cinq ans \u00e0 Buenos Aires dans le duo Luna&Betancourt (piano et harpe), avec Gabriel Luna. Gabriel Luna est un pianiste classique et enseigne la musique traditionnelle au Conservatorio Nacional de M\u00fasica de Buenos Aires.<\/p>\n

Pour en savoir plus, allez sur\u00a0MySpace<\/a>,\u00a0YouTube<\/a>\u00a0et\u00a0WorldTV<\/a>.<\/p>\n

\"Eduardo

Eduardo Betancourt<\/p><\/div>\n

\u00ab\u00a0Selon moi, les harpes llaneras Camac sont le symbole du progr\u00e8s et de l’innovation. Elles sont une \u00e9tape dans l’\u00e9volution de la harpe llanera au Venezuela, en Colombie et dans le monde entier, sans pour autant d\u00e9naturer la forme d’origine de l’instrument.<\/p>\n

Le nouveau mod\u00e8le de Camac m’a offert une grande praticit\u00e9. Je peux aborder les modulations de tous les genres de r\u00e9pertoire sans effort, gr\u00e2ce aux leviers pratiques et efficaces de la harpe. Il est possible de jouer tous les chromatismes et dans toutes les tonalit\u00e9s bien plus facilement gr\u00e2ce \u00e0 ce syst\u00e8me.<\/p>\n

Je joue de la musique traditionnelle v\u00e9n\u00e9zu\u00e9lienne depuis plus de vingt ans. J’avais l’habitude de passer le tiers de chaque concert \u00e0 m’accorder\u00a0! Je perdais ainsi un temps pr\u00e9cieux entre chaque pi\u00e8ce, et il n’y avait pour autant aucune garantie d’un accord pr\u00e9cis.<\/p>\n

De plus, dans les projets musicaux m\u00e9langeant diff\u00e9rents styles de musique, je devais utiliser au moins deux harpes pour jouer diff\u00e9rentes pi\u00e8ces dans diff\u00e9rentes tonalit\u00e9s, \u00e0 cause de la grande diff\u00e9rence entre les di\u00e8ses et les b\u00e9mols.<\/p>\n

Maintenant, je profite encore plus de chaque concert. Je peux avoir confiance \u00e0 90% dans l’accord et b\u00e9n\u00e9ficier de la satisfaction d’avoir une meilleure qualit\u00e9 de son et de jeu, tout en ayant un instrument esth\u00e9tiquement parfait.<\/p>\n

J’ai pr\u00e9sent\u00e9 et recommand\u00e9 ce magnifique instrument \u00e0 mes coll\u00e8gues. J’ai \u00e9t\u00e9 tellement impressionn\u00e9 par les avantages de la harpe llanera Camac que j’ai travaill\u00e9 avec joie \u00e0 susciter l’int\u00e9r\u00eat autour de ce mod\u00e8le. J’utilise la llanera Camac dans tous mes projets et je peux jouer un r\u00f4le tout particulier gr\u00e2ce \u00e0 la superbe fonctionnalit\u00e9 de mon instrument.<\/p>\n

J’utilise par exemple ma llanera Camac pour un enregistrement que j’effectue \u00e0 Buenos Aires avec le pianiste argentin Gabriel Luna. Nous m\u00e9langeons les musiques traditionnelles du Venezuela et d’Argentine avec un angle particulier. Par exemple, l’une des douze (jusqu’\u00e0 pr\u00e9sent) pistes est une version de Moliendo Caf\u00e9 de Hugo Blanco, arrang\u00e9e par Joaquin Betancourt et moi, avec le guitariste virtuose argentin Luis Salinas en musicien invit\u00e9.<\/p>\n

J’ai cr\u00e9\u00e9 avec le harpiste virtuose v\u00e9n\u00e9zu\u00e9lien Leonard Jacome le duo 2Arpas4Manos. Notre duo est compos\u00e9 de deux llaneras Camac (une \u00e9lectrique et une acoustique) accompagn\u00e9es par un cuatro et des percussions. Les harpes restent les voix principales du groupe, gr\u00e2ce \u00e0 leurs basses puissantes.<\/p>\n

Mes sinc\u00e8res f\u00e9licitations aux Harpes Camac pour leur initiative. Je recommande \u00e0 cent pour cent leurs harpes llaneras \u00e0 quiconque lira ceci. Ce sont des instruments magnifiques que vous ne regretterez pas d’avoir\u00a0!\u00a0\u00bb<\/p>\n

Eduardo Betancourt<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Le harpiste v\u00e9n\u00e9zu\u00e9lien Eduardo Betancourt est un immense artiste, \u00e0 la carri\u00e8re impressionnante. Il nous livre ici son ressenti sur les llaneras Camac.<\/p>\n","protected":false},"author":3,"featured_media":965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[533],"tags":[812,788,806],"class_list":["post-1038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-artistes","tag-atelier","tag-harpes-latines"],"acf":[],"yoast_head":"Eduardo Betancourt et sa llanera Camac - Camac Harps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/eduardo-betancourt-et-sa-camac-llanera\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eduardo Betancourt et sa llanera Camac - Camac Harps\" \/>\n<meta property=\"og:description\" content=\"Le harpiste v\u00e9n\u00e9zu\u00e9lien Eduardo Betancourt est un immense artiste, \u00e0 la carri\u00e8re impressionnante. 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