{"id":1931,"date":"2015-10-07T06:00:56","date_gmt":"2015-10-07T06:00:56","guid":{"rendered":"http:\/\/www.harpblog.info\/?p=1931"},"modified":"2017-06-29T07:07:51","modified_gmt":"2017-06-29T07:07:51","slug":"en-attendant-le-festival-camac-j-9","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/non-classifiee\/en-attendant-le-festival-camac-j-9\/","title":{"rendered":"En attendant le Festival Camac… J-9 !"},"content":{"rendered":"

\"Grand<\/a><\/p>\n

J-9\u00a0! Plus que 9 jours avant notre\u00a0dixi\u00e8me Festival Camac<\/a>, festival que nous organisons\u00a0chaque ann\u00e9e dans une r\u00e9gion francophone. Aujourd’hui, notre cadeau est une partition de Kim Robertson<\/a>, qui repr\u00e9sentera la harpe celtique lors de notre traditionnel concert\u00a0\u00ab\u00a0Harp\u00e9lidoskope\u00a0\u00bb du samedi\u00a0soir. Il s’agit d’une version contemporaine d’une pi\u00e8ce peu connue d’O’Carolan, \u00ab\u00a0Catherine Martin\u00a0\u00bb, extraite du dernier recueil de partitions de Kim intitul\u00e9\u00a0Forget Not The Angels<\/a>. Vous pouvez \u00e9galement \u00e9couter les pi\u00e8ces pr\u00e9sentes dans ce recueil sur le CD \u00e9ponyme que\u00a0vous pouvez vous procurer\u00a0ici<\/a>.<\/p>\n

\"Robertson\/Forget<\/a>\u00ab\u00a0Je sais bien qu\u2019il n\u2019y a pas de d\u00e9finition pr\u00e9cise de \u00ab\u00a0celtique\u00a0\u00bb, pourtant \u00ab\u00a0celtique\u00a0\u00bb correspond \u00e0 mon identit\u00e9 artistique. Peut-\u00eatre est-ce un avantage d\u2019\u00eatre am\u00e9ricaine, car je n\u2019ai pas d\u2019h\u00e9ritage irlandais, \u00e9cossais ou breton. L\u2019Am\u00e9rique est un pays d\u2019immigration, et si j\u2019ai \u00e9t\u00e9 attir\u00e9e par la musique celtique, c\u2019\u00e9tait simplement parce que j\u2019aimais cette musique. J\u2019ai grandi dans les ann\u00e9es 60, en pleine p\u00e9riode revival de la musique folk \u2013 San Francisco, Bob Dylan et tout \u00e7a \u2013 et pour moi la harpe celtique a \u00e9t\u00e9 une chance de red\u00e9couvrir la musique folk. Cela me parlait bien plus que la musique classique, alors j\u2019ai laiss\u00e9 tomber la harpe \u00e0 p\u00e9dales.<\/p>\n

Peut-\u00eatre que j\u2019avais jou\u00e9 trop de piano, mais le r\u00e9pertoire de la harpe \u00e0 p\u00e9dales me semblait m\u00e9diocre en comparaison. Et cette vie de harpiste classique l\u00e0 o\u00f9 je vivais, dans le Wisconsin, \u00e0 transporter cet \u00e9norme instrument dans ce climat hivernal, et sans vraiment de grande sc\u00e8ne classique\u2026 Peut-\u00eatre que \u00e7a aurait \u00e9t\u00e9 diff\u00e9rent \u00e0 New York, mais \u00e7a ne me faisait vraiment pas envie dans le Wisconsin.<\/p>\n

\""Irish"<\/a>

Harpe de type irlandaise, France, vers 1970. Luthiers : Claude et\u00a0Michel Leroux, assist\u00e9s de\u00a0Daniel Paris. Instrument de la collection de harpes anciennes de Camac.<\/p><\/div>\n

Le piano classique ou la harpe \u00e0 p\u00e9dales sont des instruments solitaires, et j\u2019ai r\u00e9alis\u00e9 que le milieu celtique \u00e9tait beaucoup plus dr\u00f4le et sociable. Avec la harpe celtique, je pouvais jouer dans plusieurs groupes, participer \u00e0 des rencontres o\u00f9 la musique \u00e9tait une activit\u00e9 d\u2019ensemble, et o\u00f9 tout le monde \u00e9tait uni dans l\u2019amour de la musique.<\/p>\n

J\u2019ai trouv\u00e9 ma place dans l\u2019industrie du disque en jouant de la musique new-age, pour la relaxation et la m\u00e9ditation. J\u2019ai eu de la chance, car \u00e0 l\u2019\u00e9poque je fus l\u2019une des premi\u00e8res am\u00e9ricaines \u00e0 m\u2019identifier \u00e0 la harpe celtique\u00a0: il y a beaucoup plus de monde aujourd\u2019hui. J\u2019ai beaucoup aim\u00e9 faire ces enregistrements, car on me laissait jouer ce que je voulais, du moment que \u00e7a sonnait relaxant et m\u00e9ditatif. Alors j\u2019ai commenc\u00e9 \u00e0 composer pour cr\u00e9er des plages sur les CDs. C\u2019est un autre aspect des Am\u00e9ricains\u00a0: vous \u00eates tr\u00e8s libre, les gens ne vous jugent pas. C\u2019est vrai que pour mes premiers disques, c\u2019\u00e9tait une harpiste classique qui jouait de la musique celtique pour un label new-age, mais en Am\u00e9rique cela ne g\u00eane personne, vous pouvez faire ce qui vous pla\u00eet.<\/p>\n

J\u2019ai fait ma carri\u00e8re en enregistrant et en donnant des concerts. L\u2019industrie du disque a compl\u00e8tement chang\u00e9, en particulier avec le t\u00e9l\u00e9chargement sur internet. J\u2019ai aussi beaucoup aim\u00e9 publier les partitions de mes arrangements, et rencontrer les gens qui les jouaient au cours de mes voyages. Je les ai d\u00e9lib\u00e9r\u00e9ment con\u00e7us pour qu\u2019ils tombent sous les doigts des harpistes, ainsi on peut facilement les d\u00e9chiffrer pendant un \u00ab\u00a0cacheton\u00a0\u00bb\u2026 J\u2019ai toujours trouv\u00e9 que la musique classique \u00e9tait trop stressante, une simple audition suffit \u00e0 vous donner une crise de nerfs\u00a0! Ce n\u2019est qu\u2019apr\u00e8s un premier atelier avec Derek Bell (le harpiste du c\u00e9l\u00e9brissime groupe irlandais \u00ab\u00a0The Chieftains\u00a0\u00bb) que j\u2019ai d\u00e9couvert que jouer de la harpe pouvait aussi \u00eatre agr\u00e9able.<\/p>\n

\"Kim<\/a>J\u2019ai aussi remarqu\u00e9 que lorsque je demande au public quelle pi\u00e8ce ils aimeraient entendre \u00e0 nouveau, ils demandent toujours une pi\u00e8ce lente, jamais une rapide. Et il y a une tr\u00e8s belle lenteur dans la musique celtique, quelque chose qui vient de l\u2019espace entre les notes. Peut-\u00eatre que mon travail, c\u2019est de communiquer cet espace entre les notes.\u00a0\u00bb<\/p>\n

Il n’est pas trop tard pour\u00a0recevoir la partition de \u00ab\u00a0Catherine Martin\u00a0\u00bb ! Rejoignez notre liste de diffusion sp\u00e9cialement cr\u00e9\u00e9e pour l’occasion, en remplissant le petit formulaire !<\/p>\n

 <\/p>\n

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Plus que 7 jours avant la dixi\u00e8me \u00e9dition du Festival Camac \u00e0 Nancy ! Nous vous offrons aujourd’hui la partition de l’arrangement de \u00ab\u00a0Catherine Martin\u00a0\u00bb par Kim Robertson.<\/p>\n","protected":false},"author":3,"featured_media":2281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"yoast_head":"En attendant le Festival Camac... 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