{"id":28425,"date":"2020-12-16T17:04:38","date_gmt":"2020-12-16T15:04:38","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=28425"},"modified":"2020-12-23T10:43:38","modified_gmt":"2020-12-23T08:43:38","slug":"la-harpe-au-sein-de-lorchestre-vol-1","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/la-harpe-au-sein-de-lorchestre-vol-1\/","title":{"rendered":"La harpe au sein de l’orchestre, Vol. 1"},"content":{"rendered":"

\"Elisabeth<\/a>Elisabeth Colard, ancienne harpiste solo de l’orchestre d’Euskadi San Sebastian (pendant 36 ans), et ancienne professeur de transcription et de r\u00e9pertoire d’orchestre \u00e0 Musikene (pendant 15 ans), a publi\u00e9 le premier volume de sa nouvelle s\u00e9rie de recueils de traits d’orchestre pour harpistes. Voici un outil pr\u00e9cieux pour tout futur harpiste professionnel ou d\u00e9butant dans le m\u00e9tier. En effet, il contient des extraits peu document\u00e9s dans d\u2019autres ouvrages (La Mer, Boh\u00e8me, Manon Lescaut, Mort et Transfiguration), ainsi que des conseils d\u00e9taill\u00e9s.<\/p>\n

\"Elisabeth<\/a>

Elisabeth Colard<\/p><\/div>\n

\u00ab Au cours de mes quinze ann\u00e9es d’exp\u00e9rience dans l’enseignement, j’ai constat\u00e9\u00a0qu’il ne fallait pas sous-estimer la pr\u00e9paration orchestrale \u00bb, explique Elisabeth. \u00ab\u00a0Les \u00e9tudiants\u00a0ont beaucoup d’autres\u00a0mati\u00e8res\u00a0\u00e0\u00a0\u00e9tudier, et l\u2019\u00e9ch\u00e9ance \u00e0 laquelle ce r\u00e9pertoire sp\u00e9cifique leur sera utile\u00a0peut leur paraitre\u00a0encore\u00a0lointaine. Cependant, la plupart des auditions d\u2019orchestre sont annonc\u00e9es avec un d\u00e9lai si court qu\u2019il n\u2019est pas r\u00e9aliste d\u2019apprendre tous les traits au dernier moment, sans compter que vous pouvez \u00eatre appel\u00e9 \u00e0 \u00a0la derni\u00e8re minute pour un remplacement. Plus t\u00f4t vous aurez \u00e9tudi\u00e9 ces traits, plus vous serez en mesure de g\u00e9rer ces situations. Vous augmenterez ainsi vos chances de d\u00e9crocher un poste et d’acqu\u00e9rir une r\u00e9putation de fiabilit\u00e9 lors des remplacements.<\/p>\n

Un aspect qui est particuli\u00e8rement sous-estim\u00e9, c’est l’\u00e9tude de la partie de harpe dans le contexte de l’ensemble de l’\u0153uvre. Lors d’une audition, vous voyez imm\u00e9diatement\u00a0si quelqu’un connait r\u00e9ellement\u00a0l’\u0153uvre\u00a0et peut chanter les r\u00e9f\u00e9rences\u00a0m\u00e9lodiques\u00a0dans sa t\u00eate ou s’il\u00a0n’a pr\u00e9par\u00e9\u00a0que la partie de harpe. Une fois l’audition r\u00e9ussie, vous devrez \u00e9galement bien comprendre le contexte afin d’\u00e9viter les mauvaises surprises !<\/p>\n

\"La<\/a>Dans mon livre de traits d\u2019orchestre, je donne autant d\u2019explications que possible. Par exemple, j’ai inclus de nombreuses indications m\u00e9lodiques, j’ai mentionn\u00e9 des passages p\u00e9rilleux, j’ai discut\u00e9 diff\u00e9rents placements rythmiques d\u2019accords arp\u00e9g\u00e9s, et j’ai pr\u00e9cis\u00e9 les tempi habituels l\u00e0 o\u00f9 aucune indication m\u00e9tronomique n’est donn\u00e9e par le compositeur\u00a0ou que celle qui est indiqu\u00e9e ne correspond plus \u00e0 la r\u00e9alit\u00e9.<\/p>\n

Heureusement, il est beaucoup plus facile d’\u00e9tudier ce sujet de nos jours. Les harpistes de ma g\u00e9n\u00e9ration se souviennent tous d’\u00eatre all\u00e9s \u00e0 la biblioth\u00e8que pour consulter les partitions d\u2019orchestre, et\/ou d’avoir achet\u00e9 les enregistrements. Aujourd\u2019hui, tout est tellement plus simple : \u00e9couter la pi\u00e8ce, se procurer les partitions sur l\u2019IMSLP (International Music Score Library Project) et m\u00eame, plus g\u00e9n\u00e9ralement, regarder une vid\u00e9o o\u00f9\u00a0il est toujours\u00a0int\u00e9ressant\u00a0de voir le chef d’orchestre\u00a0pour comprendre comment il aborde tel ou tel passage , ainsi que de comparer diff\u00e9rentes\u00a0interpr\u00e9tations\u00a0. Mais rien n’a chang\u00e9 en ce qui concerne le temps dont vous disposez pour le faire, et je ne saurais trop insister sur ce point : apprenez la litt\u00e9rature la plus difficile pendant que vous \u00eates encore au conservatoire. Plus tard, vous serez heureux de l’avoir fait !<\/p>\n

L’exp\u00e9rience est primordiale pour tenir le poste de harpiste dans l\u2019orchestre. Ayant moi-m\u00eame acquis cette exp\u00e9rience, j’ai voulu aider en la transmettant. Le deuxi\u00e8me volume de la s\u00e9rie comprendra des pi\u00e8ces \u00e0 deux ou plusieurs parties de harpe, car c’est \u00a0un autre sujet que nous n’avons pas toujours l’occasion d’\u00e9tudier \u00e0 l’avance \u00bb.<\/p>\n

La harpe au sein de l’orchestre, Vol. 1, est maintenant disponible sur la boutique en ligne de Camac<\/a>.\u00a0<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Le nouveau recueil de traits d\u2019orchestre r\u00e9alis\u00e9 par Elisabeth Colard fournit plusieurs partitions de harpe difficiles \u00e0 trouver, et de pr\u00e9cieux \u00e9l\u00e9ments de contexte.<\/p>\n","protected":false},"author":3,"featured_media":28427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[781,533],"tags":[],"class_list":["post-28425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alaune","category-actualites"],"acf":[],"yoast_head":"La harpe au sein de l'orchestre, Vol. 1 - Camac Harps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/la-harpe-au-sein-de-lorchestre-vol-1\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La harpe au sein de l'orchestre, Vol. 1 - 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