{"id":30983,"date":"2024-03-08T13:13:58","date_gmt":"2024-03-08T11:13:58","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=30983"},"modified":"2024-03-08T13:29:35","modified_gmt":"2024-03-08T11:29:35","slug":"discovering-the-orchestral-repertoire-the-harp-in-the-orchestra-volume-3-by-elisabeth-colard","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/discovering-the-orchestral-repertoire-the-harp-in-the-orchestra-volume-3-by-elisabeth-colard\/","title":{"rendered":"A la d\u00e9couverte du r\u00e9pertoire orchestral : \u00ab la harpe au sein de l’orchestre – Volume 3 \u00bb"},"content":{"rendered":"

Lors d\u2019une audition pour un poste de harpiste d\u2019orchestre, les extraits \u00e0 pr\u00e9parer (les fameux \u00ab\u00a0traits d\u2019orchestre\u00a0\u00bb) sont g\u00e9n\u00e9ralement tir\u00e9s des m\u00eames listes. Il y a bien s\u00fbr des exceptions, et il arrive que l’orchestre demande une \u0153uvre rare ou peu famili\u00e8re. Il est alors amusant de voir comment les courriels et les messages fusent de toute part, chacun menant son enqu\u00eate pour obtenir partitions et conseils pour \u00e9viter les pi\u00e8ges \u00e9ventuels.<\/p>\n

Une fois dans la place, le harpiste d\u2019orchestre constate que la vie est quelque peu diff\u00e9rente\u00a0: on r\u00e9alise rapidement que le r\u00e9pertoire d\u2019orchestre est tr\u00e8s vaste, et que chaque \u0153uvre comporte au moins un passage qui n\u00e9cessitera une grande pr\u00e9paration, voire qui mettra les nerfs du soliste \u00e0 rude \u00e9preuve ! Le r\u00e9dacteur\u00a0 du pr\u00e9sent article se souvient avoir \u00e9t\u00e9 appel\u00e9 pour remplacer une harpiste en arr\u00eat maladie, et d’avoir d\u00fb d\u00e9chiffrer \u00e0 vue une \u0153uvre inconnue\u00a0; les notes elles-m\u00eames ne pr\u00e9sentaient pas de difficult\u00e9 de lecture, mais quelle sensation d\u00e9sagr\u00e9able lorsque l’orchestre s’est soudainement arr\u00eat\u00e9 et que le harpiste s’est retrouv\u00e9 en train de lire un passage en solo. Dans ce genre de situation, la moindre erreur de p\u00e9dale est un grand moment de solitude.<\/p>\n

\"Elisabeth

Elisabeth Colard: cette publication est fruit de ses 40 ann\u00e9es d’exp\u00e9rience<\/p><\/div>\n

Une telle exp\u00e9rience est malheureusement in\u00e9vitable, mais la meilleure fa\u00e7on de l\u2019\u00e9viter consiste \u00e0 acqu\u00e9rir une connaissance aussi compl\u00e8te que possible du r\u00e9pertoire et \u00e0 se rappeler qu’en fait, aucune partie de harpe d\u2019orchestre n’est vraiment \u00ab\u00a0facile\u00a0\u00bb !<\/p>\n

Fruit de ses 40 ann\u00e9es d’exp\u00e9rience comme harpiste solo d’orchestre et surtout de ses 15 ann\u00e9es d’enseignement du r\u00e9pertoire orchestral au sein du Centre Sup\u00e9rieur de Musique du Pays Basque \u00abMusikene\u00bb, l\u2019objectif de la s\u00e9rie en plusieurs volumes d’Elisabeth\u00a0Colard\u00a0est \u00e0 chaque fois tr\u00e8s sp\u00e9cifique : quand le premier volume rassemble les principaux traits d\u2019orchestre demand\u00e9s lors des auditions, le deuxi\u00e8me volume permet aux \u00e9tudiants de se concentrer sur les extraits pour deux harpes.<\/p>\n

Nous sommes particuli\u00e8rement impressionn\u00e9s par le dernier volume d’Elisabeth Colard, \u00ab\u00a0A la d\u00e9couverte du R\u00e9pertoire d’Orchestre\u00a0\u00bb, volume 3 de \u00ab\u00a0La harpe au sein de l’orchestre\u00a0\u00bb ; une collection vraiment vari\u00e9e d’extraits que chaque harpiste pourra \u00e9tudier en toute s\u00e9r\u00e9nit\u00e9.\u00a0 <\/span>Tout comme dans les pr\u00e9c\u00e9dents recueils,\u00a0Elisabeth\u00a0Colard\u00a0 r\u00e9f\u00e9rence au-dessus de chaque extrait\u00a0les phrases m\u00e9lodiques jou\u00e9es par les autres instruments: celles qui se d\u00e9tachent vont guider les harpistes au sein de l’orchestre et surtout leur permettre de mieux comprendre le sens musical et par l\u00e0-m\u00eame d’approfondir l’interpr\u00e9tation de l’\u0153uvre.<\/p>\n

\"A<\/p>\n

Ce troisi\u00e8me volume a pour vocation de s’adresser non pas aux harpistes avanc\u00e9s et pr\u00eats pour les concours d\u2019orchestre, mais aux \u00e9l\u00e8ves moins exp\u00e9riment\u00e9s. Ce qui est encore plus rare, c’est la fa\u00e7on dont il aide l’\u00e9tudiant \u00e0 d\u00e9velopper une plus grande conscience du contexte musical. Afin de tester et partager ces extraits avec un autre musicien, ce 3e volume est compl\u00e9t\u00e9 par l’acc\u00e8s aux parties m\u00e9lodiques. Cela a toujours \u00e9t\u00e9 le cas avec chaque volume de la s\u00e9rie, mais maintenant elles sont facilement accessibles avec un simple code QR fourni\u00a0\u00e0 l’int\u00e9rieur du livre.<\/p>\n

Ce travail est essentiel, on en conviendra, mais il n’intervient g\u00e9n\u00e9ralement que bien plus tard. Ainsi, cette pr\u00e9cieuse appr\u00e9hension du contexte musical peut se faire d\u00e8s le d\u00e9but. Et\u00a0 \u00e0\u00a0un moment ou un autre, toutes ces \u0153uvres se retrouveront au r\u00e9pertoire, que ce soit pendant les \u00e9tudes ou pour un concert\u00a0.<\/p>\n

 <\/p>\n

Le livre est disponible sur la boutique en ligne de Camac.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Nous sommes particuli\u00e8rement impressionn\u00e9s par le dernier volume d’Elisabeth Colard, \u00ab\u00a0A la d\u00e9couverte du R\u00e9pertoire d’Orchestre\u00a0\u00bb, volume 3 de \u00ab\u00a0La harpe au sein de l’orchestre\u00a0\u00bb ; une collection vraiment vari\u00e9e d’extraits que chaque harpiste pourra \u00e9tudier en toute s\u00e9r\u00e9nit\u00e9<\/p>\n","protected":false},"author":11708,"featured_media":30976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[533],"tags":[],"class_list":["post-30983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites"],"acf":[],"yoast_head":"A la d\u00e9couverte du r\u00e9pertoire orchestral : \u00ab la harpe au sein de l'orchestre - Volume 3 \u00bb - Camac Harps<\/title>\n<meta name=\"description\" content=\"Elisabeth Colard's latest volume of "La harpe au sein de l'orchestre" is a truly varied collection of excerpts for every harpist.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/discovering-the-orchestral-repertoire-the-harp-in-the-orchestra-volume-3-by-elisabeth-colard\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A la d\u00e9couverte du r\u00e9pertoire orchestral : \u00ab la harpe au sein de l'orchestre - 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