{"id":31785,"date":"2025-05-23T14:29:48","date_gmt":"2025-05-23T12:29:48","guid":{"rendered":"https:\/\/www.camac-harps.com\/blog\/?p=31785"},"modified":"2025-05-23T14:29:48","modified_gmt":"2025-05-23T12:29:48","slug":"sou-makuri-les-completes-resolutions-de-stina-hellberg-agback","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/alaune\/sou-makuri-les-completes-resolutions-de-stina-hellberg-agback\/","title":{"rendered":"Sou Makuri : les \u00ab compl\u00e8tes r\u00e9solutions \u00bb de Stina Hellberg Agback"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Nous sommes enchant\u00e9s de vous pr\u00e9senter deux albums qui repr\u00e9sentent l&rsquo;aboutissement de projets majeurs men\u00e9s par notre amie<a href=\"https:\/\/www.stinahellbergagback.com\/\"> Stina Hellberg Agback<\/a> en Su\u00e8de.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">\u00ab The Standard is The Standard \u00bb<\/span><\/i><span style=\"font-weight: 400;\">, sorti en f\u00e9vrier dernier sous le label Naxos Prophone, propose une agr\u00e9able combinaison de standards de jazz et de compositions originales. Stina a eu la chance de collaborer avec des musiciens l\u00e9gendaires de la sc\u00e8ne jazz su\u00e9doise, Filip Augustson (contrebasse) et Jon F\u00e4lt (batteur du c\u00e9l\u00e8bre Bobo Stenson Trio depuis un quart de si\u00e8cle).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31781 size-large\" src=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-1024x1024.jpg 1024w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-300x300.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-150x150.jpg 150w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-768x768.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-1536x1536.jpg 1536w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-2048x2048.jpg 2048w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-1000x1000.jpg 1000w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-800x800.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-55x55.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/pcd370-cover-250x250.jpg 250w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Cet album met en avant l&rsquo;intimit\u00e9 et l&rsquo;interaction entre ces musiciens, leur histoire riche et unique, leur connaissance du jazz et leur art de l&rsquo;improvisation. Stina d\u00e9clare : <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0Les morceaux de cet album sont bas\u00e9s sur des th\u00e8mes que nous connaissons tous les trois par c\u0153ur, ce qui nous permet de jouer avec, d&rsquo;envoyer et de recevoir des impulsions afin que la musique \u00e9volue avec le trio.\u00a0\u00bb<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Notez dans vos agendas que le 23 mai, le groupe de Stina, Shinken Shobu, sortira son premier album, <\/span><i><span style=\"font-weight: 400;\">Sou Makuri<\/span><\/i><span style=\"font-weight: 400;\">. Pour cet album, le trio sera rejoint par Eva Lindal au violon et Alberto Pinton aux bois (fl\u00fbte, clarinette et clarinette basse). A la diff\u00e9rence du r\u00e9pertoire de standards, cet album repousse les limites stylistiques. <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0La musique de cet album n&rsquo;a rien \u00e0 voir avec le jazz traditionnel\u00a0\u00bb<\/span><\/i><span style=\"font-weight: 400;\">, explique Stina. <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0Toutes les compositions sont de moi, et j&rsquo;ai voulu pousser les musiciens hors de leur zone de confort pour nous obliger \u00e0 cr\u00e9er un nouveau genre de jazz.\u00a0\u00bb<\/span><\/i><\/p>\n<div class=\"gdpr_opt_in\" data-cc-enable=\"youtube\">\n<div class=\"gdpr_opt_in__inner\">Je souhaite activer le contenu vid\u00e9o et j&rsquo;accepte que des donn\u00e9es soient charg\u00e9es \u00e0 partir de Google (voir <a href=\"https:\/\/www.camac-harps.com\/blog\/fr\/alaune\/sou-makuri-les-completes-resolutions-de-stina-hellberg-agback\/\" target=\"_blank\">les r\u00e8gles de confidentialit\u00e9<\/a>).<\/div>\n<\/div>\n<div class=\"video_container\">\n<div class=\"video_container__inner\"><iframe title=\"21an\" width=\"500\" height=\"281\" alt-src=\"https:\/\/www.youtube-nocookie.com\/embed\/1ted36V-2kk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Le nom du groupe et le titre de leur album t\u00e9moignent de la richesse de l&rsquo;exp\u00e9rience de Stina, tant dans le domaine musical qu&rsquo;en dehors. Stina pratique depuis quelque temps <\/span><i><span style=\"font-weight: 400;\">l&rsquo;ia\u00efdo<\/span><\/i><span style=\"font-weight: 400;\">, un art martial japonais ancien qui met l&rsquo;accent sur l\u2019introspection et la r\u00e9activit\u00e9. \u00ab\u00a0Shinken Shobu<\/span><i><span style=\"font-weight: 400;\"> signifie \u00ab\u00a0combat avec des \u00e9p\u00e9es tranchantes\u00a0\u00bb et, dans le Japon moderne, cela signifie \u00ab\u00a0prendre quelque chose tr\u00e8s au s\u00e9rieux, donner tout ce qu&rsquo;on a\u00a0\u00bb. <\/span><\/i><span style=\"font-weight: 400;\">Sou<\/span> <span style=\"font-weight: 400;\">Makuri<\/span><i><span style=\"font-weight: 400;\"> signifie \u00ab\u00a0pleine r\u00e9solution\u00a0\u00bb. La raison en est que j&rsquo;ai essay\u00e9 de fusionner toutes mes exp\u00e9riences musicales dans ces compositions, en y mettant tout mon c\u0153ur.\u00a0\u00bb<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31779 size-large\" src=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-1024x1024.jpg\" alt=\"\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-1024x1024.jpg 1024w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-300x300.jpg 300w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-150x150.jpg 150w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-768x768.jpg 768w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-1536x1536.jpg 1536w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-2048x2048.jpg 2048w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-1000x1000.jpg 1000w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-800x800.jpg 800w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-55x55.jpg 55w, https:\/\/www.camac-harps.com\/blog\/wp-content\/uploads\/sites\/27\/2025\/05\/sou-makuri-litenliten-250x250.jpg 250w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Le r\u00e9pertoire s&rsquo;inspire de riches influences, \u00e9voquant le son d&rsquo;autres instruments sur la harpe. Par exemple, le premier morceau de l&rsquo;album, \u00ab\u00a021:an\u00a0\u00bb, a \u00e9t\u00e9 compos\u00e9 sur le kantele, un instrument \u00e0 cordes pinc\u00e9es traditionnel finlandais, tandis que \u00ab\u00a0Sv\u00e5ra\u00a0\u00bb s&rsquo;inspire du son de la kora africaine.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il y a \u00e9galement des r\u00e9flexions profondes sur les hauts et les bas de nos vies : <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0Le dernier morceau, \u00ab\u00a0Leva om sitt liv\u00a0\u00bb (Vivez \u00e0 nouveau votre vie), est une r\u00e9flexion sur le fait que l&rsquo;on apprend parfois quelque chose qui change notre vision de tout dans notre vie, que tout ce que l&rsquo;on a v\u00e9cu doit \u00eatre vu \u00e0 travers un nouveau filtre. Cet album est le fruit de nombreuses r\u00e9flexions personnelles pendant une p\u00e9riode difficile de ma vie, mais je dirais qu&rsquo;il contient \u00e9galement beaucoup d&rsquo;humour et de passion pour la vie et le jeu.\u00a0\u00bb<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Stina est fi\u00e8re de jouer sur une harpe <a href=\"https:\/\/www.camac-harps.com\/fr\/harps-fr\/pedal-fr\/elysee-2\/\">Camac mod\u00e8le Elys\u00e9e,<\/a> qu&rsquo;elle a achet\u00e9e lors du Congr\u00e8s mondial de la harpe en 2022, <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0le volume sonore de l&rsquo;Elys\u00e9e a fait toute la diff\u00e9rence pour ces albums\u00a0\u00bb<\/span><\/i><span style=\"font-weight: 400;\">. Les deux albums ont \u00e9t\u00e9 enregistr\u00e9s en direct dans la m\u00eame pi\u00e8ce, capturant ainsi une performance vraiment authentique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Selon Stina, la puissance et la projection de l&rsquo;Elys\u00e9e rivalisent avec celles du piano, ce qui lui permet de jouer de mani\u00e8re naturelle sans \u00eatre contrainte par une technique forc\u00e9e. <\/span><i><span style=\"font-weight: 400;\">\u00ab\u00a0Mon Atlantide et l&rsquo;Elys\u00e9e peuvent toutes deux \u00eatre \u00e9quip\u00e9es d&rsquo;un micro, mais l&rsquo;acoustique des harpes me permet de jouer de nombreux concerts sans amplification, ce qui est formidable.\u00a0\u00bb<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Nous vous invitons \u00e0 vous rendre en ligne pour \u00e9couter ces albums originaux et \u00e9mouvants\u00a0:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Standard is The Standard:<\/span><\/p>\n<p><a href=\"https:\/\/on.soundcloud.com\/4e6uHbNV91tJewZaA\"><span style=\"font-weight: 400;\">https:\/\/on.soundcloud.com\/4e6uHbNV91tJewZaA<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Sou Makuri:<\/span><\/p>\n<p><a href=\"https:\/\/on.soundcloud.com\/HSuqiiaWvvAh88847\"><span style=\"font-weight: 400;\">https:\/\/on.soundcloud.com\/HSuqiiaWvvAh88847<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are thrilled to share details of two recordings, which are the culmination of major projects by our dear friend, Stina Hellberg Agback, in Sweden.<\/p>\n<p>\u00a0\u00ab\u00a0The Standard is The Standard,\u201d released in February this year on the Naxos Prophone label, features a delicious mix of classic jazz standards alongside some of Stina\u2019s original compositions. Stina felt honoured to collaborate with legendary musicians of the Swedish jazz scene, Filip Augustson (double bass and Jon F\u00e4lt ( For a quarter of a century, drummer of the iconic Bobo Stenson Trio).<\/p>\n","protected":false},"author":11708,"featured_media":31780,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[781],"tags":[],"class_list":["post-31785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alaune"],"acf":[],"yoast_head":"<title>Sou Makuri : les \u00ab compl\u00e8tes r\u00e9solutions \u00bb de Stina Hellberg Agback - Camac Harps<\/title>\n<meta name=\"description\" content=\"We are thrilled to share details of two recordings, which are the culmination of major projects by our dear friend, Stina Hellberg Agback.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/fr\/alaune\/sou-makuri-les-completes-resolutions-de-stina-hellberg-agback\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sou Makuri : les \u00ab compl\u00e8tes r\u00e9solutions \u00bb de Stina Hellberg Agback - 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