{"id":5578,"date":"2017-03-24T07:20:27","date_gmt":"2017-03-24T07:20:27","guid":{"rendered":"http:\/\/www.harpblog.info\/?p=5578"},"modified":"2017-07-01T16:10:37","modified_gmt":"2017-07-01T16:10:37","slug":"lancement-europeen-de-berklee-harp-a-lespace-camac","status":"publish","type":"post","link":"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/lancement-europeen-de-berklee-harp-a-lespace-camac\/","title":{"rendered":"Lancement europ\u00e9en de \u00ab\u00a0Berklee Harp\u00a0\u00bb \u00e0 L’Espace Camac"},"content":{"rendered":"

\"\"<\/a>L’Espace Camac<\/a>\u00a0\u00e0 Paris a v\u00e9cu un tr\u00e8s grand moment dimanche dernier ! Nous avons accueilli\u00a0Felice Pomeranz<\/a>\u00a0et son quartet, compos\u00e9 de Sylvain Del Campo (saxophone soprane), Alex Trampas (basse) et Cl\u00e9ment Cliquet (batterie, percussions), \u00e0 l’occasion du lancement europ\u00e9en de son dernier ouvrage. Felice a rassembl\u00e9 les stagiaires et les a fait jouer en solo, en accompagnement ou encore avec une section rythmique, avant de donner un concert jazz dont le public n’a eu de cesse d’en redemander !<\/p>\n

\u00ab\u00a0Berklee Harp\u00a0\u00bb est un ouvrage enti\u00e8rement consacr\u00e9 \u00e0 l’improvisation \u00e0 la harpe, sorti aux \u00e9ditions\u00a0Berklee Press<\/a>. La classe de Felice \u00e0 Berklee a gagn\u00e9 une reconnaissance fort m\u00e9rit\u00e9e depuis son ouverture en 2002. Felice compte parmi ses \u00e9l\u00e8ves des artistes comme\u00a0MarieMarie<\/a>,\u00a0Charles Overton<\/a>,\u00a0Nicolas Castaneda<\/a>,\u00a0Mairi Chaimbeul<\/a>,\u00a0Maeve Gilchrist<\/a>,\u00a0Pia Salvia<\/a>\u00a0ou\u00a0Olivia Fortunato<\/a>. Les \u00e9l\u00e8ves de Berklee sont form\u00e9s \u00e0 un large panel de musiques contemporaines<\/a>, et de ce fait, leurs carri\u00e8res se d\u00e9veloppent dans diverses directions.<\/p>\n

\"Felice<\/a>

Felice Pomeranz lors du stage \u00e0\u00a0L’Espace Camac<\/p><\/div>\n

En g\u00e9n\u00e9ral, la plupart des harpistes \u00e0 p\u00e9dales sont form\u00e9s dans la tradition classique. Comme pour bien des choses, il y a ceux qui sont pour et ceux qui sont contre. Un bon musicien classique aura certainement appris \u00e0 bouger ses doigts tr\u00e8s vite sur une partition complexe, mais cependant, bien souvent, tous ne comprennent pas ce qu’ils lisent. Soyons honn\u00eates : la plupart d’entre nous avons eu des sueurs froides en jouant un\u00a0\u00ab\u00a0Joyeux Anniversaire\u00a0\u00bb spontan\u00e9 \u00e0 l’orchestre, ou encore nous n’avons pas r\u00e9ussi \u00e0 trouver une id\u00e9e vraiment convaincante lorsqu’on nous a tendu au dernier moment une partition o\u00f9 nous devions noter les accords ou bien la remplir de glissandis dans toutes sortes de tonalit\u00e9s.<\/p>\n

\"Berkelee<\/a>Si vous vous reconnaissez dans ce descriptif, alors \u00ab\u00a0Berklee Harp<\/a>\u00a0\u00bb\u00a0est fait pour vous ! \u201cJ’ai remarqu\u00e9, \u00e9crit Felice, que les \u00e9l\u00e8ves ont besoin de beaucoup travailler sur des notions qui vont au-del\u00e0 de savoir lire les notes sur une partition. \u00ab\u00a0Berklee Harp\u00a0\u00bb a pour objectif d’aider les harpistes \u00e0 se servir des accords de base, des symboles des accords et des progressions harmoniques pour interpr\u00e9ter une grande diversit\u00e9 de styles musicaux.\u00a0\u00bb Le livre commence avec un accord de Do majeur et au fur et au mesure des pages, on\u00a0en arrive \u00e0 manier tous les accords de base, augment\u00e9s et diminu\u00e9s, \u00e0 accompagner et improviser, \u00e0 s’approprier des motifs d’accompagnement de base selon le style et la carrure du morceau, \u00e0 approcher le blues, la bossa nova… et \u00e0 se saisir de\u00a0quelques conseils pour passer au niveau sup\u00e9rieur. D\u00e8s le d\u00e9but, vous jouez ce que vous apprenez, tel que vous en aurez besoin par la suite, et la notation des changements de p\u00e9dales est interdite. Les p\u00e9dales ne sont pas indiqu\u00e9es sur les partitions qu’on vous donne, aussi vaut-il mieux s’habituer \u00e0 int\u00e9rioriser quels changements de p\u00e9dales correspondent \u00e0 quelles progressions. Cela implique de r\u00e9citer les accords en enharmonie, une gymnastique mentale qui fait partie int\u00e9grante de la vie des harpistes qui improvisent !<\/p>\n

\"Queuing<\/a>

La file d’attente pour avoir un autographe apr\u00e8s le concert<\/p><\/div>\n

Les\u00a0exercices proposent \u00e9galement quelques alternatives pour la harpe celtique, et la technique n’est pas en reste non plus. Le fait de rappeler comment bien articuler et ne pas friser, au moment o\u00f9 on s’entra\u00eene sur les changements d’accords permet de mettre la th\u00e9orie et la pratique sur le m\u00eame plan. Apr\u00e8s tout, c’est le fait de s\u00e9parer la th\u00e9orie et la pratique qui fait que nous ne sommes pas en mesure de jouer \u00ab\u00a0Joyeux Anniversaire\u00a0\u00bb dans n’importe quelle tonalit\u00e9.<\/p>\n

\"L-R:<\/a>

De gauche \u00e0 droite : Sylvain del Campo (saxo soprano), Alex Trampas (basse), Cl\u00e9ment Cliquet (batterie), Felice Pomeranz<\/p><\/div>\n

Berklee Press est associ\u00e9 \u00e0 Berklee Online, et \u00ab\u00a0Berklee Harp\u00a0\u00bb propose des enregistrements de play back que vous pouvez t\u00e9l\u00e9charger. Alors, qu’attendez-vous ? \u00ab\u00a0Berklee Harp\u00a0\u00bb est disponible d\u00e8s \u00e0 pr\u00e9sent dans la\u00a0boutique en ligne Camac<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

L’Espace Camac \u00e0 Paris a v\u00e9cu un tr\u00e8s grand moment dimanche dernier ! Nous avons accueilli Felice Pomeranz et son quartet, \u00e0 l’occasion du lancement europ\u00e9en de son dernier ouvrage. <\/p>\n","protected":false},"author":4,"featured_media":5564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[533],"tags":[789,818,785],"class_list":["post-5578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-espace-camac","tag-jazz","tag-nouveautes"],"acf":[],"yoast_head":"Lancement europ\u00e9en de "Berklee Harp" \u00e0 L'Espace Camac - Camac Harps<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.camac-harps.com\/blog\/fr\/actualites\/lancement-europeen-de-berklee-harp-a-lespace-camac\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lancement europ\u00e9en de "Berklee Harp" \u00e0 L'Espace Camac - Camac Harps\" \/>\n<meta property=\"og:description\" content=\"L'Espace Camac \u00e0 Paris a v\u00e9cu un tr\u00e8s grand moment dimanche dernier ! 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